![]() ![]() In addition, AudioSauna is compatible with Chrome OS and has an intuitive interface for composing music with advanced polyphonic synthesizers, samplers and with the option to insert direct effects from the web in real-time. If you are a Google Chrome browser user you can install the official AudioSauna extension available in the Chrome Web Store. This allows you to record your music as you like and share it on other music platforms.ĪudioSauna is free to use and guides you at the beginning in case you are a newbie, I recommend it. It is an audio workstation that works with a virtual analog synthesizer and frequency modulation.
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![]() ![]() A downloaded installer for Mac OS X Lion.A USB flash drive or other secondary volume formatted as Mac OS Extended, with at least 8GB of available storage.What you need to create a bootable installer These advanced steps are primarily for system administrators and others who are familiar with the command line. You can use an external drive or secondary volume as a startup disk from which to install the Mac operating system. ![]() How to create a bootable installer for Mac OS X Lion
![]() I still have PKUNPAK/PKPAK and LHARC as well as ARJ around, because I occasionally run into files that will not be open any other way. Additionally, WinZip has a more user-friendly interface than. WinZip is a commercial application while WinRAR is a shareware application, so while WinZip is more feature-rich, WinRAR is the more cost-effective option. Compare price, features, and reviews of the software side-by-side to make the best choice for your business. 7-Zip and WinRAR are very lightweight software of nearly 4 to 5 megabytes and they are very easy to install. WinRAR offers better compression performance, but does not offer additional compression formats and has no limit on file size. Claim WinZip and update features and information. It manages to beat MagicRAR, WinRAR, and WinZip for the best compression ratio, even with its Fastest Compression setting enabled. Below are given several comparisons between all three compression software using different factors. I use that since WinCode is stuck at 2.7.3c, because the programmer seems to have given up on updating the code for that and the domain is now long gone.I still use PKZIP/PKUNZIP command line version for unzipping multiple files as that's easiest for me. Features Comparison: 7-Zip vs WinZip vs WinRAR. Vous pouvez penser que la différence la plus évidente entre WinRAR et WinZip est que l’un prend en charge les fichiers RAR et l’autre prend en charge les fichiers ZIP, mais ce n’est pas le cas les deux programmes prennent en charge les deux types de fichiers. In fact, here is a breakdown of all supported file types for each. WinRAR is worth having, because I can use that for WinACE, but I usually have to upgrade as WinACE is constantly updated and their archive format changes a little bit with most every other upgrade it seems.Winzip is nice in that it works as a UUEncoder/decoder very easily (I haven't checked WinACE or WinRAR for this feature). You may think the most obvious difference between WinRAR and WinZip is that one supports RAR files and the other supports ZIP files, but that’s not the caseboth programs support both file types. Winzip 8.1 supports split archive files like WinRAR and WinACE now. Although many people confuse Zip and WinZip they are technically different: Zip is the generic file format of a compressed archive, which carries the. It's really the flexibility that WinRAR provides that's nice.I use WinAce, WinRAR, Winzip in their latest versions. One difference between WinZip and WinRAR is that WinZip also works on Mac computers, while WinRAR is only for Windows. If the priority is to get the smallest archive files possible, 7-Zip does it faster than the competition. Most testing shows less than 3% difference (usually just 1%) in compressed archive size between the formats. Meanwhile, WinRAR took 44 seconds, WinZip 51 seconds, and MagicRAR an arduous 159 seconds. ![]() ![]() ![]() When used in the Edit Window the default Time Grabber tool is useful for moving clips around the timeline. This Smart Tool train-wreck was really thrown in with a shovel.The Grabber tool is one of the three main edit tools in Pro Tools. ![]() I would venture to say that FCP is probably a little less unstable and predictable than Avid at this point. Now Avid has simply adopted the mess that is FCP. And that is what has been killed, murdered and shot to death in 5.0. This is a mistake and very, very poor design, presumably to please a small ficticious group of people. A normal workflow in millions of other software applications now has a different and catastrophic effect in Avid.Īvid has abandoned core user-interface conventions that millions of programs follow. If you do that in Avid now, you delete the entire track. I don't have the imagination to understand what this could even be used for! Normally, you can select something, delete it, select something else, delete it and so on. For example, when you delete a timeline clip in Overwrite mode, it auto-selects all remaining clips on the timeline. Having edited for about 4 weeks in 5.0 now, I can honestly say that my editing speed has decreased by about 20%, and I have to spend an inordinate amount of concentration constantly realizing that I'm in the wrong mode, or that some mode auto-selected itself.ĥ.0 also makes some bizarre assumptions about workflow. I hope that Avid will have the wisdom to realize the cause of their success, which is a stable predictable user-interface with FEW MODES, and NO TOGGLES, which enables you to work LIGHTNING FAST. Avid is now a car that sometimes turns right when you steer to the left, sometimes accellerates when you hit the brakes. That is what made Avid a success, and that is what has been abandoned in this 5.0 release. It is absolutely KEY that the user-interface is predictable. But especially with the Smart Tools, the Avid user-interface has become so unpredictable that I spend probably 10% of my work-day cleaning up after Avid, resetting tools. I need to know what will happen when I click a button or push a key. I have bought QuicKeys in order to remove a lot of these so-called features, so that when I Paste in the timeline, I actually run a macro that resets the mode so that I ALWAYS, ALWAYS get an Insert. This is supposedly based on some context, but since you're mainly thinking about your next step and not your last, you really don't know which mode you're in. I no longer know if I'm in Insert or Overwrite, I do Copy/Paste all the time, and now it's completely random and a total surprise if it will result in an overwrite or an insert. Now you have made the IMO highly misguided choice of adopting everything that makes FCP an unstable user-interface. You always knew whether you were in Insert, Overwrite, Snap, Trim, this or that, and it was FULLY PREDICTABLE what would happen when you pressed a button. The beauty of Avid for all eternity and until you released this 5.0 version, was that you always knew in ABSOLUTE TERMS where the user-interface was at. Am I in insert mode? Darn, I was in overwrite, did I ruin anything? This results in the following thinking when you use the software: Am I in snap mode? Oh, no I'm not, let me toggle it, no wait I already was, now I disabled it, let me enable it again. Add to that that all modes are *toggles*, and it becomes completely impossible to ever truly *feel* where the user-interface is. Having just spent a year in hell working on an FCP show, the primary flaw with FCP as I see it is overload of modes. I'd like to offer a GUI-theory to why the Smart Tool, and all the context-sensitiveness is bad: I'm also incredibly frustrated with the Smart Tool, and would like to be able to disable it permanently. ![]() ![]() So, the original harmony of the A section is really quite simple. And then in bar 8 there is an overrun to Ab7 (bVII7) which acts as a ‘backdoor’ dominant to Bb (I) to begin the B section. The third chord is Bb7 (V7/IV), also two bars and in bar 7, we arrive at Eb (IV). However, the second chord (bar 3) is F7 (V) and also lasts for two bars. ![]() It is also the same notes as bIII dim7 which beautifully voiceleads to a cadence home (II V I). It works particularly well here becasue the melody note (A) is the major 7 - a very pretty sound. ![]() This is a common sub for chord I in major keys and adds tension and I’ve written about that before. The first chord is Bb dim7 or chord I dim7 and lasts for two bars. The chords for each 8-bar section are all different. The tonic chord is not stated until bar 9. See the C section in particular.Īnd the harmony is more modern than most jazz standards. There are a lot of chord extensions emphasised by the melody (eg maj 7, 9, 11).So, there is less of a feeling of conclusion than usual. It contains a lots of suspensions so that the melody does not directly fit the chords underneath until it resolves (eg B section bars 1 and 5).The melody is much more modern than most jazz standards. I show those chord changes here transposed to Bb for ease of comparison with other versions. It was the Frank Sinatra recording in the key of G from 1947, arranged by his musical director, Axel Stordahl. In the beginning …Īs usual, I don’t have the original sheet music to refer to, but I do have Spotify, YouTube and an internet connection, so I set out to find the earliest recording I could and transcribe the changes. Here is my playlist of recordings of this song to compare. We’ll look at the song in Bb major, as it is most commonly played and seen in jazz real books. There is little of the usual repetition found in AABA or ABAC songs. ![]() It is 32 bars long as is most common for jazz standards, but it is ‘through composed’ meaning every section is different, so I call the form ABCD (8-8-8-8). But this is by far the most sophisticated of the song he wrote which became jazz standards. He also wrote Ghost of a Chance, My Foolish Heart and Beautiful Love. The song, written in 1944 by Victor Young as horror film music for The Uninvited (A composer and his sister discover that the reason they are able to purchase a beautiful gothic seacoast mansion very cheaply is the house’s unsavory past). This article is a deep dive into various versions to explain what is going on. 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With PhpStorm, you have full support for developing applications in PHP 5.3 and all later PHP versions, including PHP 8.3. The IDE desktop application helps you write, edit, analyze, refactor, test, and debug PHP code on Windows, macOS, and Linux. The option that controls detailed data collection can be found in the IDE Settings under Tools | AI Assistant | Data Sharing | Allow detailed data collection and is disabled by default.įor more information about our data collection policies, refer to Data Collection and Use Policy.PhpStorm is an Integrated Development Environment (IDE) for PHP developers built to maximize developer productivity. It is never shared with any external parties, and it will not be used for training any ML models that generate code or text, or revealed in any form to any other users. This data is kept strictly confidential and is used by JetBrains for product improvement purposes only. In addition, IntelliJ IDEA builds with the AI Assistant plugin perform opt-in collection of detailed data about the usage of AI features, including the full communication between you and the LLM (both text and code fragments). Besides the prompts you type, it may send additional details, such as file types, frameworks used, and any other information that may be necessary for providing context to the LLM. When you use AI features, IntelliJ IDEA needs to send your requests and pieces of your code to the LLM ( Large Language Model) provider. Use inline code completion to get code suggestions for single lines, entire functions, and even blocks of code in real time.Įxplain commits and generate commit messages. Write prompts to generate code right in the editor. Use prompts to explain and refactor your code. Here is how you can work with AI Assistant:Ĭhat with AI Assistant to ask questions related to your project or iterate on a task. 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This service transparently connects you, as a product user, to different large language models ( LLMs) and enables specific AI-powered features within many JetBrains products. ![]() The AI Assistant plugin is powered by the JetBrains AI Service. It will not be active and will not have access to your code unless you acquire a JetBrains AI Service license and give your explicit consent to JetBrains AI Terms of Service. The AI Assistant plugin is bundled, but not enabled in IntelliJ IDEA by default. It can explain code, answer questions about code fragments, provide code suggestions, generate documentation, commit messages, and much more. AI Assistant provides AI-powered features for software development. ![]() ![]() ![]() Rotate the points here around the origin by negative 270 degrees, that's equivalent to just rotating all of the points, and I'll That this is equivalent to a positive 90 degree rotation. Get that point here, which we could have also gotten there by just rotating it by And then this would beĪnother negative 90, which would give you in total, negative 270 degrees. This would be rotatingĪnother negative 90, which would, together, be negative 180. The origin by negative, so this is the origin here, by negative 270 degrees, what would that be? Well let's see, this wouldīe rotating negative 90. If you were to start right over here and you were to rotate around So if I were to start, if I were to, let me draw some coordinate axes here. ![]() So let's just first thinkĪbout what a negative 270 degree rotation actually is. So actually let me go over here so I can actually draw on it. The points of this triangle around the origin by negative 270 degrees, where is it gonna put these points? And to help us think about that, I have copied and pasted So what we want to do is think about, well look, if we rotate And this tool, I can put points in, or I could delete points. So positive is counter-clockwise, which is a standard convention, and this is negative, so a negative degree would be clockwise. The direction of rotationīy a positive angle is counter-clockwise. So this is the triangle PINĪnd we're gonna rotate it negative 270 degrees about the origin. We're told that triangle PIN is rotated negative 270ĭegrees about the origin. I hope this gives you more of an intuitive sense. If you want, you can connect each vertex and rotated vertex to the origin to see if the angle is indeed 90 degrees. As per the definition of rotation, the angles APA', BPB', and CPC', or the angle from a vertex to the point of rotation (where your finger is) to the transformed vertex, should be equal to 90 degrees. The rotated triangle will be called triangle A'B'C'. The point at which we do the rotation, we'll call point P. Well, let's say the shape is a triangle with vertices A, B, and C, and we want to rotate it 90 degrees. The shape is being rotated! But how do we do this for a specific angle? With your finger firmly on that point, rotate the paper on top. Now place your finger on the rotation point. Put another paper on top of it (I like to imagine this one as being something like a transparent sheet protector, and I draw on it using a dry-erase marker) and trace the point/shape. Here's something that helps me visualize it: The "formula" for a rotation depends on the direction of the rotation. I'm sorry about the confusion with my original message above. If you want to do a clockwise rotation follow these formulas: 90 = (b, -a) 180 = (-a, -b) 270 = (-b, a) 360 = (a, b). Also this is for a counterclockwise rotation. 360 degrees doesn't change since it is a full rotation or a full circle. 180 degrees and 360 degrees are also opposites of each other. So, (-b, a) is for 90 degrees and (b, -a) is for 270. The way that I remember it is that 90 degrees and 270 degrees are basically the opposite of each other. ![]() ![]() For more information, see Connect to a Custom SQL Query. Use custom SQL to connect to a specific query rather than the entire data source. For more information, see Connect to Spatial Data in a Database.ĭrag the table to the canvas, and then select the sheet tab to start your analysis. Starting with Tableau version 2019.2, you can connect to spatial columns. Under Table, select a table or use the text box to search for a table by name. For example, use a data source naming convention that helps other users of the data source figure out which data source to connect to. (Optional) Select the default data source name at the top of the page, and then enter a unique data source name for use in Tableau. On the data source page, do the following: If you still can't connect, yourĬomputer is having trouble locating the server. If Tableau can't make the connection, verify that your credentials are correct. For more information, see Run Initial SQL. (Optional) Select Initial SQL to specify a SQL command to run at the beginning of every connection, such as when you open the workbook, refresh an extract, sign in to Tableau Server, or publish to Tableau Server. Select the Require SSL check box when connecting to an SSL server. Note: If you're using a Mac, and it is not attached to the domain correctly, the Mac won't know that Kerberos is being used in the domain, and the Authentication drop-down list won't be available. If the server is password protected, and you are not in a Kerberos environment, you must enter the user name and password. Specify whether to use Integrated Authentication or User Name and Password. Select how you want to sign in to the server. Then do the following:Įnter the name of the server that hosts the database that you want to connect to. ![]() For a complete list of data connections, select More under To a Server. Start Tableau and under Connect, select PostgreSQL. Make the connection and set up the data source See instructions on the Driver Download (Link opens in a new window) page. On Linux and Mac computers, you'll need to install a driver for this connector when you use it with Tableau Desktop or Tableau Prep Builder. A new JDBC driver for PostgreSQL supports these connections and is included with all Tableau products on Windows. Note: Beginning with Tableau 2020.4, you can connect to PostgreSQL 12 (or higher) databases from Tableau. If the driver is not installed on your computer, Tableau displays a message in the connection dialog box with a link to the Driver Download (Link opens in a new window) page where you can find driver links and installation instructions. ![]() ![]() ![]() You might already have the required driver installed on your computer. This connector requires a driver to talk to the database. (Optional) Initial SQL statement to run every time Tableau connects Name of the server that hosts the database you want to connect toĪuthentication method: Integrated Authentication or user name and password Before you beginīefore you begin, gather this connection information: To a PostgreSQL database and set up the data source. 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